RED GEMINI 5K

$400.00
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The highly regarded RED Gemini 5K camera rental is now available in Los Angeles, Hollywood, Burbank, and nationwide. This camera offers high-performance RAW video recording in a DSMC2 Brain with dual native ISO sensitivities (800 ISO and 3200 ISO), providing exceptional performance in both normal and low-light conditions.

Description

Once again, we bring you the groundbreaking RED Gemini 5K camera rental available in Los Angeles, Hollywood, Burbank, and nationwide in the USA.

With high-performance RAW video recording in a DSMC2 Brain, the RED GEMINI 5K S35 Sensor is designed to be built up the way you need.

The Gemini features the ability to switch between dual native ISO sensitivities (800 ISO and 3200 ISO). This means the camera can perform in both normal and low-light conditions without any loss in quality and without any increased noise, yes 3200 ISO with zero noise! Highlights and excessive noise are a thing of the past with RED’s new sensor technology.

We also have the perfect lens to partner the RED Gemini: the Leica Noctilux 50mm T0.95 on a PL Mount, custom rehouse by TLS – True Lens Services.

We can supply the Gemini with PL or EF lens mount, Titanium and PL Motion Mount (additional).

Supplied with the new MINI-MAG system as standard, which enables faster shooting with lower REDCODE compression. Also bundled with plenty of 512GB MINI-MAG SSDs and a USB 3.0 MINI-MAG SSD reader for super-fast footage transfer! Double the speed of regular REDMAGs!

“While the GEMINI sensor was developed for low-light conditions in outer space, we quickly saw there was so much more to this sensor,” says Jarred Land, President of RED Digital Cinema. “In fact, we loved the potential of this sensor so much, we wanted to evolve it to make it have a broader appeal. As a result, the EPIC-W GEMINI now sports dual-sensitivity modes. It still has the low-light performance mode, but also has a default, standard mode that allows you to shoot in brighter conditions.”

NEW and IMPROVED:

  • RED DSMC2 Architecture
  • GEMINI 5K Super 35mm Sensor
  • 5K RED R3D RAW & 4K ProRes 422 HQ Recording (simultaneous)
  • Lower REDCODE Compression Ratios
  • Auto Black Balance / Auto Sensor Calibration
  • Sensor Boards (better design, better components, better connections)
  • ASIC CPU Processor (RED custom-built, not generic)
  • Sensor Cover Glass (better protection from IR contamination, reduced sensor flaring and sensor streaking)
  • Cooling System Complete Redesign
  • DSMC2 OLPF System
  • Dual POGO Monitor / EVF Ports on the Gemini Brain
  • POGO Connectors: Direct LCD Monitor & Direct EVF Connection
  • Internal Scratch Microphone (inside the EPIC-W Brain, finally!)
  • Built-in Wi-Fi
  • Lower Weight & Improved Mechanical Design

 

SENSOR TYPE GEMINI 15.4 Megapixel Dual Sensitivity CMOS (Native ISO 800 & 3200) 

 
EFFECTIVE
PIXELS		 5120 × 3000 

 
SENSOR SIZE 30.72 mm x 18.0 mm (Diagonal: 35.61 mm) 

 
DYNAMIC
RANGE		 16.5+ stops 

 
SIGNAL-TO-NOISE-RATIO 80 dB 

 
MAX
DATA
RATES		 Up to 300 MB/s using RED MINI-MAG (480GB & 960GB) 

 
MAX FRAME
RATES		 75 fps at 5K Full Height 1.7:1 (5120 × 3000)
96 fps at 5K Full Format (5120 × 2700)
120 fps at 5K 2.4:1 (5120 × 2160)
120 fps at 4K Full Format (4096 × 2160)
150 fps at 4K 2.4:1 (4096 × 1728)
150 fps at 3K Full Format (3072 × 1620)
200 fps at 3K 2.4:1 (3072 × 1296)
240 fps at 2K Full Format (2048 × 1080)
300 fps at 2K 2.4:1 (2048 × 864)
PLAYBACK
FRAME
RATES		 23.98, 24, 25, 29.97,47.95, 48, 50, 59.94, 60 fps, all resolutions 

 
REDCODE
SETTINGS		 3:1 REDCODE at 5K Full Height(5120 × 3000) and 24 fps
6:1 REDCODE at 5K Full Height (5120 × 3000) and 60 fps
2:1 REDCODE at 5K Full Format (5120 × 2700) and 24 fps
8:1 REDCODE at 5K Full Format (5120 × 2700) and 96 fps
2:1 REDCODE at 4K Full Format (4096 × 2160) and 24 fps
6:1 REDCODE at 4K Full Format (4096 × 2160) and 120 fps
REDCODE RAW ACQUISITION
FORMATS		 5K Full Height 1.7:1 (5120 × 3000),
5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x
5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
APPLE
PRORES		 422 HQ, 422 and 422 LT at 4K (4096 × 2160) up to 29.97 fps 4444 XQ and 4444 at 2K (2048 × 1080) up to 120 fps 422 HQ, 422 and 422 LT at 2K (2048 × 1080) up to 120 fps

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